Welcome to London Discovery Tours

Posts Tagged ‘Pablo Picasso’

George Braques Bottle of Brandy

Sunday, October 11th, 2009

Returning now to our Walks of Art inside Tate Modern we take a wander into the States of Flux wing to have a look at a painting entitled Clarinet and Bottle of Rum on a Mantlepiece.

This was painted in 1911 by the painter Georges Braque, who together with his great friend and ally Pablo Picasso was a pioneer of the early 20th century art movement that became known as cubism.

At first glance Clarinet and Bottle of Rum on a Mantlepiece appears to be little more than a jumbled series of distorted shapes and lines. Indeed, at first glance your mind might struggle to make sense of what exactly it is that you are looking at.

Where is the clarinet?

Where is the bottle of rum?

Where is the mantlepiece.

Well the one thing we stress over and over again on our London walks is the need to really look at things. Look at as opposed to see things.

So let’s start by looking for the bottle of rum in the painting. If you look at the top centre of the painting you can make out two, black vertical lines across the top of which has been laid a horizontal black line. This is the neck of the bottle.

So straight away our London walks mantra of look at things starts to make a little more sense in Tate Modern.

In fact the bottle is made easy to discern by several visual clues.

Firstly, just beneath the neck of the bottle are the letters PARL, which could be a make or a brand of Rum.

Further down underneath that are the letters RH and the start of the letter U, the first three letters of the French word for rum.

So from the jumbled mass of shapes and lines we have managed to distinguish the shape of the bottle.

We’ll look for the clarinet in our next blog. In the meantime why not have a look at some of the Dickens Walks or Shakespeare London walks that take in the exciting and vibrant area where Tate Modern is located?

Incidentally, for copyright reasons we cannot reproduce the artworks on our London, Walk of Art blogs. But do a google image search for Tate Modern and you will be able to see these works.

Walks, London and the Mantlepiece.

Friday, October 9th, 2009

We’re really getting into our Walks of London Art blogs. Hopefully you are too and hopefully you are starting to see that our London walks mantra of  - LOOK EVERYWHERE - especially makes sense when you look at a work of modern art.

Today we’re still in the States of Flux wing at Tate Modern teasing little bits out of Clarinet and Bottle of Rum on a Mantlepiece, painted in 1911  by the pioneer of the cubist movement Georges Braque.

We were talking earlier about how our various London walks really do make people look at London. Not just see London, but really look at it. Let’s continue this theme with a final look at Braque’s 1911 painting.

So far we have teased out the form of the bottle of rum and the clarinet from the painting.

Today we are going to find the mantlepiece!

Looking to the bottom left corner of the painting you find the start of two thick black lines that run diagonally from left to right across the painting and end towards its top right corner.

These form the shape of the mantlepice.

Furthermore, towards the bottom light corner, there is a curved shape that could be a corbel or a mantlepiece support.

So by looking at these lines we can now see that a clarinet and a bottle of rum do, indeed, sit on a mantlepiece and thus have managed to locate the three objects for items mentioned in the title of the painting.

But why did Georges Braque choose to depict his subjects in such a distorted and disjointed fashion?

Why, if he wanted to paint a clarinet and a bottle of rum on a mantlepiece didn’t he simply do so as a still life and paint them full on?

The solution lies in the era when the painting was done. In the early years of the 20th century cameras were starting to be mass produced and photographs were beginning to replace paintings as a means of showing reality and every day life to people.

Painters felt themselves freed from the constraints of the past. No longer did they have to be restrained by the need to present depth, shade and colour. Instead they could aim at bringing a new perspective to painting and this was the style that Georges Braque and Pablo Picasso pioneered.

They would dissect their subjects, analyse them and then re-assemble them in an abstract form that presented the viewer with multiple perspectives and views of the same object or subject.

So, in the case of Clarinet and Bottle of Rum on a Mantlepiece we are seeing the three objects from multiple angles. We are looking down at the mantlepiece from above, looking at it sideways on, or even looking up at it from below. We are being given the opportunity to view the objects from multiple angles all at the same time.

This was the style that Picasso and Braque Pioneered.

In 1908 the French art critic Louis Vauxcelles described one of Georges Braque’s paintings as “full of little cubes.” The phrase caught on and the movement that Braque and Picasso has pioneered became universally known as Cubism.

So we end out look at the painting by George Braque in Tate Modern.

This weekend you can join Richard on one of his London Ghost Walks, or you can join one of our hugely popular Jack the Ripper Tours that explore the darker recesses of London’s East End.